Educationally, chamber music is a curricular unit which is widely spread in every level of music education, but with a surprisingly scarce body of research. We want to develop a broader view on chamber music, gaining insight on aspects such as creating the ensembles, group dynamics and leadership, assessment and repertoire, as well as composition practices for chamber music or the development of innovative teaching methods, programming, among others.
ORGANIZATION: NIMAE - I2ADS | ESMAE
DATES: 21st March (afternoon) - 22nd March (morning) 2018
VENUE: Fundação Casa da Música: www.casadamusica.com
Just listen! (Or can I also look at my chamber music partners?), Sarah Vandemoortele, Kurt Feyaerts, Mark Reybrouck, Geert De Bièvre and Thomas De Baets, LUCA School of Arts and KU - Leuven University, Belgium
The accordion; a major instrument in the contemporary chamber music, Naiara De La Puente Vadillo, University of the Arts Helsinki - Sibelius Academy, Finland
Alexandra de Sousa Peral, violin; Ester Forsberg, viola; Maria Alejandra Conde Campos, cello
I. Prelude. Vivace
II. Andante con moto
III. Menuetto
IV. Gigue. Allegretto
Arranged for string trio by Dmitri Sitkovetsky
*ensemble participating in HARMOS festival 2018
Chamber Music and the joy of free playing, Francisco Monteiro, INET - MP, Portugal
Performance of the work Infinito - Francisco Monteiro
Catarina Assunção, violin; Marisa Moreira, viola; Ana Patrícia Semedo, cello; Maria Diz, oboe; Carolina Lima, flute; Valter Ponte, clarinet; Cláudia Prata, bassoon
Chamber music as a theme of research in a university context. The Sonata for Cello and Piano by Luís de Freitas Branco, Ana Monteiro, ESMAE - IPP, Portugal
Performance practice of contemporary violin and piano's repertoire. (lecture - recital), Andrzej Ślązak and Mateusz Strzelecki, Jan Kochanowski University in Kielce and Academy of Music in Łódź, Poland
SUBMISSION GUIDELINES
Contributions related with theoretical and practical aspects of Chamber Music are welcomed. All contributions must be original and not simultaneously submitted to another journal or conference.
Forms of contribution:
- Oral presentation (max. 20 minutes)
- Lecture recital (max. 30 minutes)
- Scores (full score, max. 10 minutes; available instruments: flute, oboe, clarinet, bassoon, horn, trumpet, trombone, tuba, violin, viola, cello, double bass, percussion (2 players), piano). Works including computer or other electroacoustic resources are welcomed. In order to submit scores there is a submission fee of 25€. In the case of acceptance of a work that will result in a concert performance during the conference. The participation must pay the rest of the conference fee (early bird/normal fee) if they wish to attend the performance of their work.
Abstracts and scores of the submitted contributions should contain up to 250 words, excluding title, author(s) and affiliation(s).
Use the EasyChair platform link https://easychair.org/conferences/?conf=icmuc2018 to submit the abstract.
NEW DATES
Abstract registration deadline: December 8, 2017 January 5, 2018
Submission deadline: December 8, 2017 January 5, 2018
Notice of acceptance of Abstracts: December 19, 2017 January 16, 2018
Registration for attendance (early bird): January 19, 2018 February 9, 2018
Registration for attendance: March 12, 2018
Full Paper submission: May 4, 2018
Online publication: October 1, 2018
Conference book release: April 30, 2019
COMMITTEES
Executive Committee
António Augusto Aguiar, ESMAE, NIMAE-i2ADS
Bruno Pereira, ESMAE, NIMAE-i2ADS
Daniela Coimbra, ESMAE, NIMAE-i2ADS
Jorge Alves, ESMAE
Marco Conceição, ESMAE, NIMAE-i2ADS
Marta Eufrázio, ESMAE
Scientific Committee
Ana Maria Seixas,
António Augusto Aguiar, ESMAE, NIMAE-i2ADS
António Salgado, ESMAE, NIMAE-i2ADS
Bruno Pereira, ESMAE, i2ADS - NIMAE
Carlos Luís, NIMAE-i2ADS
Constantin Sandu, ESMAE, NIMAE-i2ADS
Daniel Cunha, NIMAE-i2ADS
Dimitrios Andrikopoulos, ESMAE, NIMAE-i2ADS
Florian Pertzborn, ESMAE, NIMAE-i2ADS
Hendrik van Twillert, ESMAE, NIMAE-i2ADS
José Parra, ESMAE, NIMAE-i2ADS
Liliana Araújo, NIMAE-i2ADS
Luís Carvalho, Universidade de Aveiro
Luís Tinoco, ESML
Márcia Moura, NIMAE-i2ADS
Nuno Aroso, Universidade do Minho
Peter Dejans, Orpheus Instituut, Gent
Sofia Serra Dawa, Universidade Católica Portuguesa
Stefan Gies, CEO Assocation of European Conservatoires
REGISTRATION
Attendant Registration:
50€ (early bird registration);
65€ (late registration)
Author (paper/presentation/lecture recital) Registration:
85€ (early bird registration);
100€ (late registration)
Accepted works will be published - online and printed version
Discounts for students and staff of ESMAE to be announced
Registration for attendance/author (early bird): January 19, 2018 February 9, 2018
Registration for attendance/author: March 12, 2018
Includes:
Conference program
Coffee breaks (2)
Conference dinner (21st March)
Concerts at Casa da Música (HARMOS festival concerts)
Certificate of attendance
Proceeding's book (with ISBN)
Target audience
Chamber music teachers, producers, staff members, heads of music departments, heads of chamber music, musicians, students,...
Venue
Fundação Casa da Música: www.casadamusica.com
Conference website: https://www.esmae.ipp.pt/icmuc2018
Contact
Topics
chamber music - music - music education - composition
